Monday Morning Miracle
Have a nice day y'all!
Posted by
Mike Davis
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7:11 AM
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Labels: monday morning miracle
By virtue of the fact I’m male, and probably due to some other external influences beyond my wit, I’ve always tended towards the visual. My first attempt at the spoken word was “lookit!” (Followed soon after, by “Gimme!”)
Although my vocabulary has expanded a little since then, the theme has remained consistent. From enchanting women to elaborate deserts; exotic cars to cutting edge gadgets, my response seldom wavers from some variation of “Lookit!, Gimme!”
When in conversation, I’ll often use phrases like “Do you see what I mean?” and “Look, you’re not seeing the big picture.”
So when it comes to reading – and therefore my writing, too – I get turned off by an abundance of telling. I simply stop listening! Many of the writers I’ve worked with in the past - both in giving and receiving critiques - largely agree with the principle of ‘show not tell’ but some seem to confuse ‘show’ with several paragraphs of descriptive prose. For example, (and I’m deliberately exaggerating):
The black satin Oscar de la Renta dress created a decent cleavage from her normally miserly 32A bust. It cinched in at the waist before hugging her thighs to just above the knees. The dress, coupled with her diminutive, perfectly toned five foot two inch frame, obsidian eyes and cascading ebony locks drew both malicious and longing glances from women and men respectively.
Despite the fact the above passage contains the word ‘frame’ in a character’s physical description, one of my pet peeves (and I have so many of them they could almost be considered commercial livestock rather than pets) it doesn’t allow the reader very much latitude. There is some very specific information (telling) whereas I’d much prefer to be given stimulants for my mind’s eye (showing) and be allowed to build a mental image of the character within certain parameters rather than strict specifications.
So, I could rewrite the above passage as:
It was her first real designer dress and fitted so much better than the department store petite ranges she was usually forced to chose from. She felt sexy, thanks in no small part to Oscar de la Renta’s ability to coax a cleavage from even the most miserly bust. Tonight, for the first time, she was the sultry, dark temptress drawing looks from men and women alike.
What I prefer about the second approach is that the reader can decide how small a petite woman is, based upon his or her own perspective.
The reader dictates what constitutes small boobs, taking me out of the firing line!
The character is clearly meant to be a beautiful woman in both passages yet in the second, her eye and hair color, the length of her hair and her body type are also left to the reader to decide. That way, even if the writer and the reader have differing views on what defines beauty, the women in the dress should remain beautiful to both of them. Of course, if her hair length, eye color etc. are crucial to the plot then I’ll introduce those details, but again, I’ll see if I can ‘show’ her hair is long by allowing her to unpin it and let it fall rather than tell the reader she has shoulder length hair.
For every person who likes to be shown, there is another who reads my work and says it’s lacking a few paragraphs of descriptive prose because they simply can’t picture the cottage without knowing the make and model of the fridge or the pattern of the curtains in the living room.
All I know for certain is that I learn better when shown rather than told.
Just ask my wife!
Posted by
Mike Davis
at
9:16 PM
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Labels: writing techniques


I have an aunt who looks a lot like Pam!

The New Royal Family of LA!

Posted by
Mike Davis
at
10:22 AM
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comments
Labels: monday morning miracle
When I first started writing with a view to getting published, my methods were quite haphazard. I’d come up with an idea or find a prompt in a literary magazine competition and allow the kernel of a story to roll around in my head like a snowball, gathering weight and girth, until I was ready to start writing.
At some point along that writing path I would go back to the beginning, essentially to refresh myself of the premise, and find myself spending hours – sometimes even days – fine tuning a single scene. I would become so caught up in the detail that the story itself lost momentum. Additionally, I invested so much in the scene that it became a cast in stone element of the story, regardless.
By nature, I lose interest easily. I’m not quite Homer Simpson - The problem with first person POV is…Oh look, a split infinitive! – but, when the story doesn’t move from my head to the screen at a fair clip, my mind starts leaping ahead to the next idea. That dictated a more structured approach to drafting would be required, if I was going to successfully complete a story.
So I started writing a brief scene-by-scene draft:
1. Danny prepares a birthday surprise to bring to his girlfriend’s apartment and wake her with breakfast in bed and an expensive gift.
2. Danny arrives to find her ex-boyfriend’s car in the drive. Internal struggle = silent retreat or confrontation?
3. etc.
This approach gave me a direction from the outset and immediately improved my ratio of completed to commenced stories but new problems arose; while I was not dropping back into earlier scenes and fine tuning them to death mid flow, I was still writing each scene in full detail before moving to the next. The effect was, by the time I’d reached the end of the draft I had no energy or enthusiasm to go back and improve the areas that needed work. I can see this in some of those earlier stories if I read them back now – they are still not bad, in my humble opinion, but they could be so much better if I’d aggressively edited them after finishing the first draft.
Now I have employed yet another system which, based upon the speed and ease “Mirror Man” is approaching the end of the first draft, is my most suitable yet. I started out by writing a synopsis of the story. I then took a notebook and jotted down brief physical and mental characteristics of the main players, details of anticipated locations and any other pertinent information that needed to be carried throughout the story.
From there I drafted the outline of the story, usually writing a sentence or two for each intended chapter - sometimes a little more if I had some vivid ideas for the scene.
Once that outline was completed, I looked at it globally, to see where foreshadowing and back story might be useful and then set off writing the first draft. While I wrote that first draft, new ideas came to mind, secondary plot threads, enhanced character details etc. but rather than get bogged down, I made notes and moved on.
I expect to finish this first draft in the coming weeks and at that point I’m going to put “Mirror Man” away for at least two weeks before taking out those notes, returning to Chapter One, and enriching the prose.
For example, Chapter 1 begins:
A glass-walled restaurant, slowly revolving 800 feet above the bright city lights of Las Vegas seemed a far from ideal dining experience for a man afraid of heights, confined spaces and crowds.
"Agora-acro-claustrophobia?" Valentine asked, eyebrows raised.
It sounded too ridiculous to be true and, squeezed into a large red Hawaiian shirt and cargo pants, the little man looked as if he should be joking; he was the embodiment of the Pillsbury doughboy on vacation. The expression on his face, however, was as sober as a ‘Mothers Against Drunk Drivers' meeting.
Pillsbury took a handkerchief from his pants-pocket and dabbed at the sweat that ran like a mountain spring from the dome of his bald head. "I'm not sure that's a real word, but yeah, it sums up the condition pretty well."
"So what possessed you to have dinner at the ‘Top of the World' restaurant?" Valentine continued, hoping conversation might distract the man from his impending coronary.
"My psychiatrist said I needed to face my fears," Pillsbury said, unleashing another barrage of finger-prods upon the elevator's call button.
"Sound advice, no doubt, but are you sure he meant you to face them all at once?"
Posted by
Mike Davis
at
7:50 AM
10
comments
Labels: Mirror Man, writing techniques
Last week was special! You'd be forgiven for thinking that a work week which began on Tuesday would feel shorter than usual, wouldn't you?
Here's hoping that this week doesn't drag it's ass quite so much.
This clip, gave me quite a giggle last Wednesday, when it popped up in my inbox, despite having spent 8 hours in a pointless meeting that kept me at work until gone 7.00 pm. I hope it brings a smile :)
Happy Monday.
Posted by
Mike Davis
at
6:19 AM
4
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Labels: monday morning miracle
Of course, the first day was a beach day - everybody was the color of polished mahogany except the three of us - so we selected a spot by the infinity pool, made friends with a waiter and settled in for some reading, rays and rum punch. I finished "American Gods" just as the sun melted the glue and half the book blew out to sea.
I was interested to see that in Mexico, what restaurants in Texas call 'Mexican' food, is called 'Texan' food in Mexico. A picture from inside the Cenote. The 'strings' trailing down from the top are roots, stretching to reach the water.
Chichen Itza, once the political and economic centre of the Mayan Civilization, has been named one of the new seven wonders of the World - due in part to the incredible understanding of astronomy, mathematics and acoustics demonstrated in the construction. Words and pictures can't adequately describe this awesome site!

The trip to the city also involved a bathroom break, where I didn't meet any politicians or aging pop stars loitering in the cubicles, but I did see this equally unwanted occupant!
The next excursion took us to Coba for a day combining adrenaline rushes with cultural education where, in addition to a more 'hands on' Mayan Ruin, we rappelled 60 feet down into a cenote, did a bit of cave diving, flew across a croc-filled lake on a zip line, ate iguana, received a blessing from a Mayan priest, explored the jungle and generally felt like Indiana Jones!
Ariel view of the temple at Coba, (no, I can't fly - I scanned a postcard!).
The same temple from the base, 120 steps from the top!
A Mayan Ball Court - perhaps the precursor to basketball.
The game, called “pok ta pok,” involved keeping the ball off the ground and putting it through the ring on the wall using, primarily, the hips and thighs! In 'special' games, during times of need, the captain of the winning team was beheaded as a sacrifice to the gods. Winning truly wasn't everything in Mayan culture!
Inside the Cenote
Rappelling into the (bloody cold) water. In addition to the temperature, the water is also very fresh and salt free, making it incredibly easy so swim like a brick!
Lastly, a few pictures of the other jungle natives!
Other trips involved a Jungle tour by speed boat and snorkeling on the reef, both fantastic experiences but without a waterproof camera, the memories are confined to my head.
Though I started out this post by deriding the intoxicated teens of Cancun, we imbibed our fair share (and then some) of the local spirit, and brought home some souvenirs that I'm enjoying on a nightly basis rather than go cold turkey.
For those of you that haven't seen one, here's the beautiful view of a Tequila farm!
After a week in Cancun I can honestly say, chose the time of year that appeals most to you (on or off season) and get down there. Just make sure you set aside at least two days of sobriety and see the other wild side!
Posted by
Mike Davis
at
7:36 AM
11
comments
Cancun was fantastic and absolutely nothing like I expected. I think the heavy rains and wind that accompanied the outside edge of Hurricane Dean swept the streets clean of drunk American teens and their stomach contents, leaving us with a truly beautiful, and extraordinarily quiet Caribbean setting.
We have several hundred photographs of climbs up Mayan temples, abseiling down sinkholes, cave diving and of course tequila-fuelled adventures, but I need to organize these into coherent thoughts before attempting to convey them.
I did come back home to a rather intriguing request to re-write a short story I'd submitted a long time ago to a literary magazine. They suggested a re-write with a change in POV to third person.
I've spent the best part of today turning it around because I really had planned to focus on finishing Mirror Man before the end of the year and leaving the short stories alone until then.
So, here is the re-write. If anybody sees something I missed, there's a Chunky Caramel Kit Kat in the mail with your name on it.
I'm also open to title suggestions because I think this one sucks.
Posted by
Mike Davis
at
6:00 PM
21
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